Category: BlastingBits

Using Blender I created models for the body armor, hands, and boots.  By using my same process, I created 20 frame sprites for each of these models and imported those into the game.

I also finally fixed the problem with the dark rooms.  Previously, when the player entered a dark room, the entire screen would go dark except for the area lit by the radiant ability.  This was a jarring effect, because the lit rooms to the left and right of the dark room were also darkened.  To fix this, I created a new method that draws the light mask for each room.  This may be a little wasteful, because it just draws white for lit rooms.  For the dark room, it draws all dark blocks, except for room boundaries which it draws the light gradient blocks.  One improvement could be made for two continuous dark rooms.  In that case, it will draw a slight light band between the two rooms, but it would really just be continuously dark.

Last night, I downloaded a recommended program called SFXR, which was created by Dr Petter.  This program can be used to create a wide variety of sound effects, which can be used in games.  I will probably use it to generate sounds for the zapper shooting and jumping.

Tonight I continued more modeling in Blender.  I would like to go ahead and complete all pieces of armor.  Once all of the armor pieces are complete, there may not be much to do for the player model.  I created a helmet from starting with a cube, using a background image of a helmet I found on the web.  Using multiple loop cuts (Ctrl-R), I was able to make the cube outline the background image.  I also used the loop cuts to make an outline of the center eye piece and mouth opening.  Once each of those were outlined, I extruded inwards to give a carved out appearance.  Since I didn’t have a guide for the sides, top, or bottom, I just added to vertical loop cuts and expanded slightly outward.  The side and back usually don’t have much detail, and the player probably will never see the top or bottom of the helmet.

After reading a few tutorials, I was able to remember how to do UV mapping in Blender.  First, it’s best to have two views open, one for the 3D view and one for the UV/Image Editor.  In the 3D view, I had to set viewport shading to Texture to see the texture mapping in real time.  I selected my helmet object and went into Edit mode.  Now set the selection mode to select Faces, and I selected the faces for the first texture.  I did this by selecting all faces (A key) and then unselecting the faces in the eye pieces and mouth opening (Shift Right Click).  Then I selected Mesh, UV Unwrap, UV Unwrap.  In the UVMap viewport, I selected the plus button to create a new image of size 1024×1024.  When I did this, the unwrapped image appears.

Using Gimp I created a seamless image using one of the images from CGTextures.com.  I selected that image and copied, and used that Clipboard pattern to fill a new image of size 1024×1024.  I saved this new image as a PNG, and then selected that image in the UV Map viewport using Image, Open Image.  I translated and rotated the 2D points in the UV map slightly to give the texture map a better appearance.  The texture map on the 3D model updates in real time as the 2D points are being modified.  Next, I did the same process in Gimp to create a 1024×1024 texture for the eyes and mouth.  I unselected all of the faces in the 3D view (A key) and only selected the faces in the eyes and mouth (Shift Right Click).  The free select tool (Cntrl Left Mouse Button) makes selecting multiple faces much faster.  With the new faces selected, I created a new image in the UV Map view by pressing the plus button using size 1024×1024.  Again, I selected Mesh, UV Unwrap, Unwrap to place the selected faces on the 2D UV Map plane.  By selecting Image, Open Image I added my second texture to the UV Map view, which automatically updates the texture on the 3D model.

The last tricky part is that even though the textures display in the 3D viewport, the textures will not display when rendered (F12), which is the only way to generate an image file.  Rendering the image will still result in a non-textured image.  The trick is to select the object in Object mode, select the Material tab to display the default material for this object, then scroll down to the Options section and check both Face Textures and Face Textures Alpha.  I don’t have a clue why these are not selected by default if those are required to make the UV map during a render.  After playing with the lighting and cameras, I was able to get a decent render of the helmet that I modeled and textured.

That’s enough for one night, so I will probably wait until tomorrow to do the rotation animation into sprites.  At some point, I would like to try to export the model into Autodesk .fbx format and use the model directly in my game code.  However, this will probably require much effort to convert my 2D sprite based game into a 3D space.  However, I think it can be done, since my game display code is for the most part decoupled from the game logic.  In theory, I should be able to make a new instance of my GameScreen class that does 3D rendering, and be able to switch between 2D sprite mode and 3D rendering mode by just changing the pointer to the GameScreen class instance.

The objective of Resistor is to build connections to carry electrical flow to activate LEDs (light emitting diodes). To avoid damaging these components, the flow level must be reduced using resistors. Each level is graded upon number of pieces used, the luminosity of the LEDs, and the time required to complete the level. This game teaches the basics of resistor color code values.

Each level has a power source with an electric flow level.  Use wires (A button) to connect this power source to all of the LEDs on the level.  Be careful to not connect a wire that has a higher electrical flow value than the number displayed on the LED, otherwise the LED will be destroyed and the game will end.  To lower the electrical flow, use a resistor (X button) to lower the electrical flow of the wire.  The target is to use a resistor that will lower the electrical flow just enough to activate the LED.  Lowering the electrical flow too much will still activate the LED, but the luminosity grade for the stage will be penalized.  After every ten levels, a new higher level resistor will be awarded.  The currently selected resistor can be changed using the bumper buttons (LB and RB).  Complete the levels as quickly as possible with the fewest number of pieces to get the best grade rankings.

http://www.youtube.com/watch?v=34Qp6-tC5CA